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Tom Lovell, oil |
Thomas, here's what one of my heroes, Tom Lovell, said I when asked him the same question (about oil):
"Keep in mind that flesh tones are essentially quite neutral. If they are overstated, figures tend to look like painted dolls. Avoid lavish use of highlights. Avoid heaviness. Try reducing chroma with complementary color."
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John Gannam, watercolor |
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Anders Zorn, watercolor |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHYn5l6CjDeR4u5KCK3RALFCzN6NWSg5FS6Bv14srEFEyFppIXZgvqrIk15ge6xrL-hI3_0LUfauyf1Bed-9ibGKxTFJuZPpUBbNGa5kYlYDppwNHwpT9_BQ6bCaSGmkATHTcatr5KknFX/s200/512x512bb.jpg)
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3 comments:
Contemporary artist Paul McCormack has written something that may be useful: http://mccormackstudios.com/Sheer_Realism.pdf
To get an idea of how desaturated flesh tones are - a Google image search for 'neutral makeup palette' is rather informative.
That Gannam painting is stunning.
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